Blog: Drypoint Etching

Home is Where you Launch – Art Journal

“But home isn’t where you land, home is where you launch!” (from An American Marriage by Tayari Jones) Even though I love living in the States and call it my home and I do not see myself going back to Germany and even though I do feel more like a European than being German…I guess home is still a city in Germany called Hamburg :) I think this is a feeling I share with a lot of immigrants and when I read this quote it really resonated with me and I knew I had to use it for an art journal spread.

I used one of my drypoint prints with the lady as a collage element – you can read more about the drypoint etching class I took here.

I stamped and layered my Stroll Through the Hood and Stroll Around the Block stamps and then colored them in with watercolor.

I painted the top of the background with golden gesso – and I really love how the gold and the watercolor play together.

Here are some of the supplies I used for the spread:


Comments (4)

  • Janene

    |

    I understand what you’re saying. I grew up in Southern California and still consider it my “home” even though I haven’t lived there in over 40 years (and I’ve lived in a couple of other places in between then and where I live now). When I visit California, I’m flooded with good memories of my early life there. But my new home is fantastic in an entirely different way. Kinda like the difference between chocolate and vanilla – both are delicious, but I’d never mistake one flavor for the other!

    Reply

    • Nathalie Kalbach

      |

      I love your comparison with the flavors – that is beautifully put! thank you for sharing Janene!

      Reply

    • Donna B.

      |

      I feel the same way. I’d never thought about it before, but I also have strong feelings about the place where I grew up. In my case, I don’t even know anyone who lives back in my old home town or the surrounding area anymore, but if I were to go back there, I suspect it would still feel like my home.

      Reply

      • Nathalie Kalbach

        |

        Thank you for sharing Donna- I totally understand what you mean about that it would be different but still feel like home.

        Reply

Leave a comment

Back to School: Drypoint Etching at JCAS

This winter I took a drypoint etching class with Bruno Nadalin, a fellow Jersey City artist at the Jersey City Art School. I have taken a Linocut Class with him before and he is an amazing teacher, so I knew it would be good. And I wasn’t disappointed. The class with 6 x 3hour lessons  was AWESOME.

In this class we did drypoint on acetate/plexi plates. Using a sharp needle and/or other tools you scratch an image into the plate. The plate above is the one I did in the first lesson after we practiced with some different applications and tools

The plate then is getting inked up and then the ink is wiped off again – the ink remains in the creases of your etching and that is where the magic happens.

Here is Bruno putting a sample onto the printing press at the JCAS.

and here is his amazing sample coming out of the press!

Above is the very first print I did with that plate.

For the second one I applied a bit of color to the jumper.

In the second lesson, Bruno showed us how to make multicolor prints with the technique called a la poupee.

And below is his sample

I started with a new plate which I had prepared at home- see I just couldn’t stop scratching at home- LOL

And here is the second one with the powerhouse – some of you might recognize this building :)

The third print came out the way I envisioned – I really love it. As Bruno says it is all in the wiping. Making the plates is actually not the work load, it is inking those plates up and then wiping them down again that makes up most of the technique and time.

The print above was an experiment. I did some mono prints at home with Akua Inks which I always wanted to try out on a gel plate and I used this interesting paper which I had gotten at a convention many years ago. It is made out of plastic but feels like cloth. I printed on top of the mono print and I really like the outcome.

Here is a another plate I made in different stages – a part of the factory building I live in.

Isn’t it cool how different the images look and the mood they convey based on the inking? So cool to experiment with that.

Here are a couple prints from the students in the class.

I don’t want to bore you , but here are a couple more- the Flatiron Building – as you know it is a reoccurring image in my work, so of course I had to make a plate with it as well.

And then some prints from the last lesson where we did some two plate printing. Basically you create a mono type and then print on top of it – there are different ways to approach this of course.

First one above as you can see I didn’t wipe that well – but I still love how the colors came out

Here I had way too much ink on the first plate so I didn’t print the second plate on top, but I actually love it as it is. I kept it and might do something else to it later – I will see.

Here is the second try – less ink now- basically the ghost print of plate one and now with the second plate printed on top.

Another one – I like that one a lot.

And last but not least one where I used once again one of those mono prints I did at home – the cloth-like paper had the ink of the skyline bleed a bit – I love this.

What I learned in this class:

  • It was first a bit hard for me to think I would not be able to do this all the time at home without a printing press but then that made me more focused and prepared for the lessons
  • The application of the ink and the wiping was a technique and whole process on it’s own and what a fascinating one it is
  • I loved the different ways one plate could be treated for different prints
  • I love the little time span where you just don’t know what is coming out of your press – when you lift up your print and see what happened. It reminded me of going to the photolab to finally get the vacation photos and seeing them for the first time.
  • There are art forms you just cannot get away with not being clean and organized …clean your space, clean your hands, clean the plates, clean the press …so much cleaning. LOL
  • I loved combining mono types with this class
  • There is only a certain amount of prints you can use the plates, and then that is it forever

What I take away for the future:

  • JCAS has print parties where you can use the printing press for a small fee- I def. will make up some new plates and join in the future to make some more prints
  • A way to take some of the mono prints on the gelli plate further – I want to explore this more
  • I enjoyed taking a class even though it was sometimes tough to go for 3 hours after a whole day of work- I need to do this more often again
  • I loved the pace of the class, I think I sometimes pack too much in my own classes and forget that it is also great for the students to just explore what they learned for a bit. Of course that is easier to do when you have a class that spans over several weeks but I def. look for a way to think about this in my multi-day-classes.

 

If you are in the area, I highly recommend taking a class with Bruno Nadalin or a class at the Jersey City Art School– it is a great place and they offer a lot of fun and different workshops and art events.

 

Comments (5)

  • Jill McDowell

    |

    Nat, love seeing your class and your prints. They look awesome. I know what you mean about wiping the plates. It takes a long time to get to know them. And keeping clean is definitely an issue. But it’s so worth it when you pick up the felts, see that lovely embossing on the back, and then reveal the print. Glad you had a good time. I’ve signed up for the spring Printmaking class at Creative Arts Workshop in New Haven. It’s addictive. 😎

    Reply

  • Bruno

    |

    I’m so happy you enjoyed the class, Nathalie! It was great having you as a student again :)
    I really like reading your thoughts on your work. I find I often move so fast through things I don’t take the time to reflect on what I’ve done, so it’s good to be reminded about how important that is. I also like your 4th observation about the time span when you’re waiting for the print to be revealed. That little surprise is what makes it fun!

    Reply

    • Nathalie Kalbach

      |

      It was fantastic- you are really an amazing artist and teacher! It is always a huge booster in inspiration for me to take a class with you and I learn so much – plus you are the most patient person even when we are super messy and can’t stop giggling about a la poupee ;) Cannot wait for a new class with you in the future.

      Reply

  • Clavell

    |

    These are incredible!…fascinating! I hope some of these find themselves FRAMED and HUNG on your walls! They are wonderful pieces of art! ♥

    Reply

    • Nathalie Kalbach

      |

      Awe thank you Clavell! Yeah- I started matting some of them and some of my friends are already in line for some- so I am super stoked that they are finding some nice homes :)

      Reply

Leave a comment