Are you playing along with us? All month on Instagram we have been doing the Stencilbop Challenge and wow it’s been fun playing with our stencils in so many ways! Here is the recap for Prompts 20 and 21:
August 20 – Faux
Stitching on paper was always something I loved to do but I haven’t used my sewing machine in ages- and to be honest part of it is just the dread of having to set it up and then pack it away again after just a couple minutes of fun.
So I thought for this prompt I would do a bit of faux stitching – using my Chicago Stencil as a template. I just created little dots along the stencil and then added some loose lines with the pen from dot to dot.
I glued down some actual thread and voila – wouldn’t fool anyone hahahah- but hey it was fun.
August 21 – Color
Ha that is a good one – right ?
I thought I would just go with some nice bright colors and I used different colored acrylic markers to fill out and add elements to my Santa Fe Stencil.
I love how this came out – I def. will use the markers with stencils more. It is such a fun way to add some stenciling to a journal or sketchbook while traveling and they are part of my Art-On-The-Go- Kit anyway.
Here are some of the supplies I used for these prompts:
Play along with us – here is the Prompt List in case you missed it:
Always classy – I love painting the background with black gesso and then using a white signo pen through my stencils. Best way for anger management too ;) Totally calming and with a happy making result.
I used a couple of my round small 4×4 stencils here. Cannot wait to see your black & white takes.
Max Ernst used plants or texture of wood planks and other items in the house to create some wonderful artwork and the technique is called Frottage.
For this art journal spread I layed my Batik Stencil underneath the art journal page and with the flat side of a graphite pencil and tailor chalk shaped graphite block I rubbed over the paper to reveal the texture of the pencil.
I moved the stencil around to repeat certain elements of the stencil at specific areas of the journal spread.
To repeat some of the pattern I stamped on top with my Batik foam stamps.
August 16 – Scale
Some of my stencils and stamps that are similar in pattern but different in size can be used together as repetition and scale are great ways to create beautiful and cohesive backgrounds.
For this art journal spread I used my Amsterdam 9×12 and my Amsterdam 6×6 Stencil. While the design element of the tulips are the same – the layout and size of them are different in each stencil making for a great way to use them together and layer them up like I did on this art journal spread with acrylic spray paint.
Heat embossing has always been a way to add texture to my mixed media and art journaling – seeing the embossing powder turn into a glossy plastic haptic surface is pretty fun!
For this spread I used my Chicago and my Santiago Stencil and defined a big square by taping the edges of the design with masking tape.
I used acrylic paint through the square off part of my Chicago stencil. Then I layered the squared off area of the Santiago stencil on top and applied embossing ink through the opening. I sprinkled embossing powder on top- used the heat gun and voila.
Fun to try out different color combinations!
August 13 – Subtraction
Usually paint gets applied through a stencil to create a pattern but you can also take paint off through a stencil to create a pattern.
When you do so with acrylic paint you usually layer the stencil on top of still wet acrylic paint and then take the paint off through the stencil. Here I applied some Distress Oxide inks on top of the paper.
Since those can be reactivated with water, I used a slightly moist rag and rubbed the ink off through the Manhattan and Hamburg stencils.
The result is subtle but so effective especially when you then also add some areas of the usual way of stenciling to create a reverse/non reverse effect.
August 14 – Wood
Leaving the art journal for this one. My parents in law are celebrating their wedding anniversary next week and I thought it would be fun to create a fun pattern on a wooden frame using my Exchange Place Stencil.
I love the stencil and it is perfect with it’s bigger opening for this project. I traced the pattern through the stencil with a pencil onto the frame.
Then I simply followed the line with my wood burning tool.
I used some ink pads to add a little bit of color to the pattern but to not loose the wood effect.
Here are some of the supplies I used in these prompts:
There is something utterly satisfying about spreading modeling paste or embossing paste through a stencil and create a nice small crisp raised pattern on top of a flat surface ….or it might be that I am just weird. But try it yourself ;)
I used my Hamilton stencil on top of my Hamilton stamp – the middle part is almost identical in size. I found some metallic embossing paste in my stash and applied it with a palette knife over the middle.
I love how this turned out. A little bit of sparkle and a little bit of texture- nom!
August 11 – Texture
Texture is – besides Color – one of my favorite elements to use in my artwork and it is no coincidence that one of my very first stencils I designed in 2013 was my Crackle Stencil.
I loved adding crackle texture to my artwork but boy did I dislike how long the different applications with mediums took – or how messy it was with some of the “old school” ways like Vaseline and acrylic paint. And so I was dreaming of a Crackle stencil – there was none out there and I am so glad Stencil Girl liked my idea and design.
To this day it is one of my favorite and apparently one of your favorite stencils of mine as well. It has found a home more than any other stencils of mine. One of my favorite ways to this day to use the Crackle stencils is with heavy bodied acrylic paint. Simply spread over the stencil with a palette knife- let dry and there crackle bliss!
Mixed Media always has been my super love – mixing different materials, paint media and tools is just my jam.
Besides looking for which paint media work together with a stencil , I love to go on a hunt and see which of my stamps fit with my stencils to get to a total new pattern. Here is combined my Mesa Verde Stencil with one of my Floral Tile rubber stamps and Fan-Fare Rubber stamps.
I love how this came together. As for paint media, I used Spray paint over the stencil, an inkpad for the stamping and an acrylic ink marker for the little dots.
Can’t wait to see how you interpret the theme Jam Session.
August 9 – Reverse
I love using the reverse of the stencil – meaning the opposite of what the stencil usually shows when applying paint media over it. Sometimes that can be archived by stenciling and then taking the stencil that still has some paint on top and printing with it.
For this spread I sprayed over my Flower Maze stencil on a different piece of substrate and then flipped the stencil over and printed onto my art journal. I love using white as well as other colors.
The reason I love to use spray paint is that the pattern is applied in a nice thick “plasticky” way, which actually is perfect when you apply thin paint or ink on top. The spray painted pattern will resist the ink longer and can be wiped off the pattern making for a nice and really cool effect.
It is such an easy way to combine or fuse stencils.
Later I used the mask of the elephant, which is also included in this stencils to trace the elephant and also to stencil with my Lily Wallpaper Stencil for the background.
August 6 – Print!
Using stencils with a printing plate like the Gelli Plate is super fun. One technique I do enjoy a lot is using different plates and inkpads with stencils and then print into my art journal.
For this spread I used a small round gel plate and first added some ink onto the plate. I used a hybrid inkpad by Moonlight Duo which doesn’t dry too fast, it also creates some nice gradients in color due to its dual pads. I applied my Star Struck Stencil, and printed off to another piece of paper (you can make cards or use those prints as collage paper). Then I lifted the stencil and turned the plate around to print on top of my journal page.
I did this in different colors and then masked off those areas in my art journal – repeating the same process with a bigger gel plate and my Beacon Stencil.
Here is the finished page:
August 7 – Quilt
Now I cannot sew very well …might have to do with my dislike of rulers and measurements ;) But inspired by the different colors and patterns quilts are often made of, I use this process quite often in my art journals.
I paint the background in different color swatches…
and then apply different stencils on top of those swatches using any of the other colors that I had used before. Here I used my Hamilton, Van Vorst, and Toledo 9×12 stencils.
This way I make sure the repetition of color ties the design together. A fun and easy way to create the foundation for an art journal spread.
Here are some of the supplies I used in these prompts: