A Look Back – This time I’m looking at some fun fall play dates that Kim and I had back when we could get together in person and play with my stamps and stencils. Some of these are very seasonal (pumpkins) and others are just nice ideas for when you need an indoor activity to do. Read on and I hope you try some of these project ideas too!
A Look Back is a blog series to show you some projects and posts that you may have missed – sometimes going WAY back in the archive. I think it will be fun to revisit a few ideas that we haven’t seen for a while. I’m excited to see how a little look back might inspire something new in the future :)
This project was a great way to decorate pumpkins without getting out the carving knife and spreading gourd guts all over your kitchen LOL. We used my stencils and acrylic paint and came away with some very cool decor. Check it out here.
Here is a project that you can pull together with all those collage papers and deli papers you have in your stash. We gussied some of ours up with my foam stamps and acrylic paint and then cut out simple leaf shapes for a wall hanging. This is an easy fall project for all ages and abilities. Check it out here.
This project has been a long time in the making – I began during the renovation of my house last year and then put it all on hold until this spring. Anyway, I’m happy to share with you my DIY vertical garden that I made with simple terra cotta flower pots, some acrylic paint, my rubber stamps, and stazon inks.
Here’s how I did it:
I painted a bunch of pots on the outside with a colorful array of acrylic paint. I know these may not last forever, but I am happy to enjoy them for definitely a few seasons :)
Can you tell I like happy colors lol
Then I went for rubber stamps that would work well around the rim. Here is one from my Hex Set Large set – and that set has 6 stamps that would work perfectly for this. I used Stazon inks.
Here is one of the stamps from my Floral Tile Small set in action – another great stamp set option for making a group of pots with an array of designs.
I created quite a few in a variety of colors and patterns.
I installed the pots on the fence in our back garden. The fence is old and a bit shabby and a new one is not in the budget right now, but until it is – here is a nice pop of color. I used some nifty brackets to hang the pots – see the link in the supplies below.
I got a variety of different flowers in a mix of colors to fill them.
Like these! I got a flat from a local plant shop that created a mobile plant store in a truck that they drove all over the city, selling plants, while we were being careful during the lockdown. Pretty cool way to support a local small business!
Ta-da! My colorful vertical garden :)
And a view of our happy oasis. I love spending time back here with hubby at the end of each day.
Are you planting anything this year?
Here are some of the supplies I used for this fun project:
Last week Kim and I got together to make some holiday cards based on this snowflake card I made for my Deck of Cards Challenge – Kim was really excited about playing with the process. It is so simple and easy and wow does it make some gorgeous cards. We made a stack of layered stencil cards – snowflake inspired designs, patterns that reminded us of stars, and just festive layers of color and shape that would bring joy to the season.
All you need is: blank cards, stencils with a radial pattern, Distress Inks, ink blending tools, masking tape, and some pens or markers to finish them off.
We began applying the Distress ink through a stencil, held in place with masking tape, onto the front of a blank card. Here is my Valley Road stencil.
This one we blended out the color – the inks work really well for blending – and kept the design a single layer. I would later add a top to the design as if it were a tree ornament.
But the real magic happens when you start building up layers of color and pattern. Here is my Toledo stencil as a first layer in blue.
Then we rotated the stencil and added another layer in green. Be sure to have several different ink blending pads for different colors – so you do not contaminate the colors.
The resulting layers of color and pattern have a softness that is quite lovely. Here I added in some extra sparkle and lettering with a fine point pen.
In this way, layering up different stencils with different colors, we created some beautiful holiday cards.
Sometimes we used larger stencils like my Manhattan stencil here, and only stenciled a small part of them.
We hope you give this technique a try – get some stencils and ink and try layering up some designs. You will love the results!
Here are some of the supplies we used for these cards:
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Then I printed directly onto blank cards. To attach the chip, I used Coccoina glue stick. I always loved this glue stick- smells a bit like almonds and I am so happy that I found it now also available in the states. It is great for paper and thin paper embellishments.
In addition to my nice and grungy monoprint I also stamped part of the My Home rubber stamp on this one.
This one I snuck in my Love Knots stamp for the xxxooo.
And this one got really yummy grungy and then I also added my Love Tag stamp. I’m really happy with how they turned out, especially with the addition of the painted Mixed Media Chips.
This was such an interesting and exciting play date with Kim – so excited to share it with you today! I have wanted to try cyanotype (aka Sun Printing) for a long time and we finally did. Now this did require some prep ahead of time, and it definitely is an active process, but the results are very cool.
I purchased a cyanotype kit on amazon (link below) that was a 2 part mixture. You can find the chemicals a lot of places, just be sure to follow the directions on the packaging. My kit required some prep 24 hours before we did the actual “printing”. As for supplies, we used the cyanotype kit, large paddle brushes, gunked up stencils (YES – this is one argument for not cleaning them lol), and a surface to print on. We chose wood frames, some fabric, and watercolor paper. Following the directions of our kit, we painted the surface with the mixture in a dimly lit room and let them dry. Ours worked best when we allowed them to fully dry.
Then it is time to head outside on a nice sunny day. We first did the frames. Here you can see 2 frames covered with an array of stencils. If it is windy you will need to weigh the stencils down.
Here is my Santiago stencil on the frame, catching the sunlight. Our mixture was a greenish yellow when it went on and slowly turned to a bronze color when it had been exposed to enough light.
When they have exposed enough, you race them inside and rinse them until the water turns clear. The covered areas will wash away to reveal the wood color and the areas exposed to sunlight will begin to turn a beautiful blue.
Over the next few hours they will cure to full color and look just gorgeous!
Stencils with thicker lines worked a bit better and we learned that it is safer to weigh the stencil down in case wind picks up.
I just love the variety you can get and it all just works together because of that wonderful blue.
We also tried fabric with stencils (Hamilton and Star Struck here) and leaves. Weigh everything down and try to find flat leaves so you get defined edges. The fabric and paper exposure was really quick – so have a plan and all your stencils and objects ready to immediately put down on the fabric when you bring it outside.
Here is some paper with leaves and grass – all of these blew in the wind very easily so we did not get a good print here. I would put rocks on them next time. The top paper had some stencils and rocks. Setting up multiple papers at once was a bit hectic as they started changing very fast. Make a plan, have plenty of extra material (stencils, leaves, rocks, etc) and expect to just roll with it.
The paper process was the same – rinse immediately after bringing inside. Here you see a print I made with my Buenos Aires and Versailles stencils getting a rinse.
We let them dry in the sun and you can see some interesting results.
We rinsed and dried the fabric as well. Here you see some leaves, vines, and a peek of my Exchange Place stencil in the corner.
These were pretty unplanned compositions. It is worth getting familiar with the process and just playing at first. Kim and I are planning a second play date now that we know how it works and then we can better prepare for what we make in the end.
Regardless, it was really awesome to see the potential and beauty of cyanotype printing.
We are imagining all sorts of fabric and clothing projects :)
Another variation we did: stamping with my new rubber stamp sets and black stazon ink onto transparency film.
I stamped the film with my Fantastic Large stamps and then put it on top of a treated pillowcase… It blew off several times in the breeze hence the “double vision” look to the print.
But still a really cool idea for future cyano projects!
So as you can see there is so much potential to using this medium with your stamps and stencils. We are just getting started and will definitely share future adventures with you as well. Don’t be intimidated by the process – it isn’t that hard and the results can be sooooooo nice and surprising some times. I hope you give it a try!
A couple weeks ago Kim and I got together for a little home decor play date – stamped pillows. We used my newest foam stamps, some fabric ink pads, and white cotton pillow cases (we already had inserts). This was a pretty quick and easy way to refresh the living room.
Take the time to iron your pillow cases first. The stamping will look better if you’re working on a smooth fabric.
Slip something sturdy and smooth into the case before you stamp to prevent the ink from bleeding through to the other side. We used some styrofoam pieces I had laying around.
I made my own stencil out of transparency sheets for a sponged background. It’s hard to see in this photo, but it is a shape that is sort of classic mid century.
I filled in the shape with yellow ink, slowly building up the density of the color on the pillow case.
Then I went back in with gray ink and my Jazzed foam stamp. If you don’t want the edges of the foam stamp to print, press more lightly on the stamp. I like the added visual texture here and the authentic block print look.
I also stamped with my Groovy foam stamp – it connects really well with the Jazzed one to make a longer, continuous design.
I filled in some of the other areas with additional yellow shapes.
Kim stamped a subtle background pattern using a pale green ink and my Signals foam stamp.
Here’s the complete background.
Then she came back and stamped my Jazzed stamp over it using gray ink.
I began a second case using blue ink and the same hand made stencil.
I sponged in the abstract shapes.
And then I added the Far Out, Jazzed and Groovy stamps over the shapes.
After getting into making patterns with my rubber stamp sets, I knew I wanted to take that idea and use it on a couple fabric projects. Kim and I got together to put some of those lovely patterns to use on reusable shopping bags. Our neighborhood is getting rid of plastic bags in June so we wanted to be ready to shop with a unique tote or two.
The supplies couldn’t be simpler: white (pre-washed and pre-ironed) cotton tote bags, a selection of my rubber stamps, and ink pads that are for stamping on fabric. We used Tsukineko Momento Luxe inks – you can find the links for those below.
We both took a minute to page through the pattern book I made with all those Nat’s April Patterns. It has become a great source to go to for inspiration.
Before you begin stamping, put some cardboard or a magazine in between the layers of your bag so it doesn’t bleed through. Be careful of any creases or gaps or textures in this – it can show up in your stamping. It is best to find something smooth for in there.
I started with the Jewett stamp from my Fan-tastic Large set and inked it up in yellow. The fabric ink is kind of sticky and you have to be a bit fast and also thorough with the inking.
It is easiest to start your pattern in the center of the bag and then work your way out. That way it will be even left to right and you can decide how close to the edges you want to go.
The ink colors can be light in some cases and bolder in others.
After two layers of the Fan-tastic Jewett Fan, I switched to the Hamilton design from the Floral Tile Large set and started stamping in a magenta color.
Looks great already but needs something more…
I finished off the pattern with a stamp from the Fanfare set.
Kim jumped in with my Solid Fan in the large size to do a simple but cool scallop pattern.
She chose a lot of different fun colors – don’t forget to clean your stamps in between colors. Also, you can see that with the solid stamp, the texture of the cardboard insert shows a bit – not a bad effect but something to consider when choosing a liner.
Kim found another pattern in my book that she really liked. She chose three ink colors. And the pattern needed one stamp from the Small Hex set and the two Diamond Hex stamps from the Large Hex set.
She started with the red ink and then filled in with yellow.
Looks awesome! And shows you don’t have to cover the entire bag.
Kim’s bag and the pattern inspiration.
For my second bag I chose a pattern and decided to make it bigger. Tip: You will get a lot more done if you go with a larger stamp ;)
I began with the Space Oddity stamp from the Large Hex set, added a red Fan-fare stamp in the middle, and then I took a minute to choose my next stamp. More Fan-fare or the Broadway Fan from the Fan-tastic Small set?
I went with Broadway Fan :)
And here is the finished bag next to the inspiration.
Our bags included a little pocket pouch to fold the bag into for storage. We decided to stamp that too. Here I used the Fan-fare stamps and the Small Hex set.
Then you can store them like this.
They look pretty awesome! Remember to follow your ink instructions for setting the ink. Every fabric ink is different. These will need to be ironed to heat set the ink.
Hippity Hoppity :) Kim and I got together for a Play Date with some of my new Rubber Stamps for the upcoming Easter holiday. We had a nice morning stamping some Easter Bunny Cards for friends and family.
For supplies we had my new Floral Tile Large and Floral Tile Small stamp sets, blank cards, colorful ink pads, some bunny images we printed off the internet, a craft knife, and repositionable tape.
First we carefully cut out some rabbit shapes, leaving both the outside and inside intact. These became our stencils and masks.
We used Scrapbook Adhesives E-Z Dots to temporarily stick our stencil to the front of the card. I love this tape – it’s easy to apply, sticks well, and comes off easily too!
We stamped into our bunny “stencil” with stamps from my Floral Tile Small set – the scale is just perfect for tiling into small areas. Here I am using one of the Hamilton designs.
Kim began with one of the Van Vorst designs from the Floral Tile Small set.
I used both the Positive and Negative Hamilton stamps from the small set and filled in the entire bunny.
And here is the big bunny reveal! Now to fill in the rest…
Put a bit of repositionable tape onto the bunny mask and place on top of your stamped image.
Begin filling the area around the bunny. Here I decided to use the Hamilton stamps from the Floral Tile Large set.
It becomes quick work with the large size stamps.
Kim worked with the Van Vorst stamps from the Floral Tile Large set to fill in the area surrounding her masked off bunny.
Looks pretty awesome when it is all done!
I experimented with outlining the bunny too – there are a lot of ways you can take these cards to another level.
Another card beginning with the outside, using the Versailles Positive and Negative stamps from the Floral Tile Large set.
And another using the Versailles Positive and Negative stamps from the Floral Tile Small set.
A very sweet bunny in blue using the Van Vorst Positive and Negative stamps from the small set. This dense pattern worked really well to define the bunny shape.
Kim getting into it – so fun with a lot of different stamp pad colors to choose from!
In the end we made quite a few cards – some that are really wonderful!
I just love this one I made with 2 bunnies!
Kim made a sweet orange one…
So fun to play with different iterations!
And then I realized that the stamped bunny masks should not go to waste – they looked great on the cards too!
Last one :)
We hope you try some of these techniques with my new stamps. Try mixing up different colors, playing with the positive and negative designs, and work with both sizes. We had a blast and can’t wait to spread a little Easter cheer with our cards.
Here’s a post from my Creative Squad! Today we have Marsha Valk back with us again for another round of fun. Welcome back! Marsha is using my Mid Century Squared, Neato, Funky, Gnarly, Groovy, Jazzed and Far Out foam stamps for this awesome tote… and our theme for April: Feel the Rhythm – We’re thinking about patterns this month and using stamps to create a rhythm of marks. Show us your sense of rhythm!
I remember that when I saw Nat’s new stamp designs for ArtFoamies I immediately thought of stamping them on fabric. So that’s what I did!
When it comes to stamping fabric designs, I always like to think about what I want to do with the fabric. This time I thought it would be cool to try and sew a simple tote bag.
You can find tons and tons of great sewing tutorials on YouTube these days. So what I tend to do is to look for a tutorial that matches my sewing skills, gather all the materials and then go from there.
For the tote bag pattern I chose, I needed two different fabric designs, so I bought two slightly different colours of cotton fabric.
Step 1 Pre-wash and iron the fabric before printing. The paint will grab the cotton fibres a lot better when all the sizing is washed out.
If you already know what you are going to make with the fabric once it’s printed, you can cut it to the sizes needed for your project at this point.
Step 2 Set up your printing station. Protect your work surface if needed. The paint usually seeps through the fabric onto the underlying surface, so make sure you can easily wipe it clean.
Choose the paint colours you want to use. Limit your colour palette to a maximum of two colours plus a neutral.
You can use regular acrylic paint to print on fabric, but if you want it to be washable, you’ll need to use fabric paint or acrylic paint mixed with a fabric medium.
Follow the instructions on the packaging to make sure you are mixing the correct amount of paint/medium for the best result.
I’m using acrylic paint mixed with a fabric medium. You can mix it on an inking palette and use a brayer to apply the paint to your foam stamps or you can create a custom stamp pad using an ArtFoamies StampBuddy.
Step 3 Start stamping!
Step 4 For my second fabric design I also used one of my smaller gel printing plates to print with.
First I handcut three stencils from transparencies slightly larger than the gel printing plate and I placed the stencils on my fabric to help me determine the pattern I wanted to print.
Cover the brayer with paint and then roll the paint out over the gel printing plate.
Take a foam stamp and stamp it into the paint. Here I am using Nat’s Groovy stamp.
Press the gel printing plate paint-side down onto the fabric on top of the stencil. Lift up the gel printing plate.
Step 5 Leave your gel printed fabric to dry entirely before heat setting the paint with an iron. Consult the label of your fabric paint or fabric medium for the exact instructions.
Be sure to protect your ironing board cover with a cloth or parchment paper before ironing printed fabric. This will prevent the paint from accidentally staining the cover.
Step 6 Now your fabric is ready for the sewing project of your choice! This one I printed with Nat’s Mid Century Squared stamp.
Happy foam stamping!
Thank you Marsha for inspiring us to create some of our own printed fabrics for sewing projects! You can find my foam stamps in my online shop if you’d like to create the patterns that Marsha shows. In addition to sewing equipment, here are some of the other supplies that she used:
Feel inspired? Working on something yourself that you’d like to share? I love to see how you interpret our monthly themes. Email me how you used my stencils and stamps with the theme and email me an image – I would love to share your projects in my next “n*Spiration From Around the Globe“.